An earlier version of this article was previously published.
When the self-titled album of Mark King’s band Level 42 was released in 1981, and tunes like ‘Love Games’ or ’43’ came through powerful loudspeakers in the community room of a boarding school in southern Germany, everyone was stunned.
There he was, the European version of Louis ‘Thunder Thumbs’ Johnson. That ‘right in the face’ kind of Funk, the off-beats the group came up with and the entire approach, including that record cover, were simply sensational. People danced to Level’s sounds like crazy. One student even painted an over-sized version of one of the band’s record covers on the hood of his old Alfa Romeo.
But the whole thing started a lot earlier, when Mark King, who was a drummer originally, met another drummer by the name of Phil Gould on the Isle of Wight in 1974. Both of them were teenagers, and Gould was impressed: “He was so much faster than me.”
They would take a long ride into stardom together. One of the two drummers would pick up the bass soon: Mark King, the multi-instrumentalist. Phil Gould: “He was one of those natural musicians.”
King would experiment with synth sounds, and with slapping that bass. In London, he had an excellent teacher: The late Paul ‘Tubbs’ Williams, who was a member of the Jazz-Funk group Light of the World and a co-founder of Incognito, another British Jazz-Funk act with a different approach. According to Incognito members, ‘Tubbs’ taught Mark a whole lot about handling that bass and “slapping the shit out of it”. Mark did learn fast. Somehow slapping was in his genes.
Decades later, Mark King turned down an invitation to talk about Paul ‘Tubbs’ Williams in a documentary. Maybe they had issues in the late 1970-s, or maybe Mark just did not have the time for a statement.
Let’s go back to 1981. After the big success with the first album, Level 42 needed a quick follow-up recording. ‘The Early Tapes’, with material recorded two years earlier, before the ‘big bang’, included more killer Jazz-Funk tunes. ‘The Pursuit of Accidents’ followed, and ‘Standing in the Light’, which the band really was by now. Level 42 started touring endlessly, released an album per year, and they sounded brilliant to Jazz-Funk lovers, but also to clubbers and definitely to bass enthusiasts.
Many called Mark King the best bassist on Earth. But he wanted more. According to interview statements in documentaries, one day he walked up to his manager and told him he did not want to be the best bass player on Earth, but the richest one. That wish would become reality at the cost of the brilliant Jazz-Funk approach Level 42 was known for.
In 1985, ‘World Machine’ was released. The band had drifted towards Rock and Pop more and more, enlarging its global fan base substantially. But, there was the other side of the coin: The Gould brothers, Phil and Boon, had enough. They had started “playing music I was not interested in at all”, Phil Gould once said.
Many recorded tunes might have been hard to digest for Funkateers. But Mark King was still Mark King. He still is today. Only one of his killer slap bass solos always justifies driving 100 kilometers to their next gig, and another 200 kilometers to the concert after that one.
The Funk never completely left them. ‘Forever Now’ is a good example. Released in 1994, that album contained a title track which had the Pop, the radio compatibility and the Funk, all in one. An original band member, the brilliant keyboarder and vocalist Mike Lindup, sang ‘Love in a Peaceful World’, a breathtaking track which sounded as if it had been part of their very early stuff.
Lindup, who is not just very gifted but a very nice guy too (or bloke, as they say in the U.K.), returned to Level 42 after a long break some 12 years ago. He is still with them today. Mark’s brother Nathan King has been Level’s guitarist for a long time now. Sean Freeman on sax is another regular member. What their drummers are concerned, Level 42 are forced to switch relatively often, probably due to scheduling issues. Gary Husband, a multi-instrumentalist as well, has been in that position a lot. The same applies to Pete Ray Biggin.
In 2007, Level 42 came to hit my festival stage in Sofia, the Bulgarian capital. It was the first time I met Mark, not counting experiencing him on stage a few times two decades earlier. He is a funny guy and a ‘big mouth’, who delivered an extremely professional gig at the National Palace of Culture, in front of some 2000 people. As a concert booker, I also sent them to an open air gig in Germany.
Level 42 had die-hard fans in Bulgaria even before the Iron Curtain came down in 1990. During the last years of communism, Kiril Peltekov Stamely’s band Forte covered some of their tunes, including ’43’.
At the after show party in 2007 I asked Mark whether he wanted to hit the stage. He shouted at me: “What part of ‘no’ don’t you understand?” But 10 minutes later, he sat behind the drum set anyway, delivering yet again, along with Bulgarian masters. What a sensational night!
Mark King, who is celebrating his 60th birthday on Saturday, October 20th, 2018, is brilliant, as we all know. But from the perspective of a Funk fetishist, he is also the guy who abandoned the Funk, at least in a way. Well, there are always those classic recordings. And the solos on stage. A happy and funky birthday to you. Let there be Funk!